它讲述一座古堡中住着一位发明家，制造出了各种东西，最后还造出了一个机器人，并给他起名叫爱德华。发明家对这件作品倾注了全部的心血，他甚至教授爱德华人类的礼仪和诗歌，何时微笑何时沉默。然而，没有等到机器人最后完成，发明家就去世了，留下已有人类心智却残留着一双剪刀手的爱德华独自在古堡生活。不知过了多少岁月，一位推销化妆品的中年女子佩格误闯城堡，发现了形象古怪的爱德华。好心的佩格没有被爱德华惨白的肤色和张牙舞爪的剪刀手吓倒，而是怜其孤独，把他带回了自己的家。
The story begins with an old lady telling her granddaughter the story of snow, and why it snows. Edward Scissorhands lives in a gothic mansion at the top of a hill, below him a suburban town looking very much like a nightmarish vision from the 1960's, where pink and yellow houses nest, neatly grouped together each looking as identical as the inhabitants that live and breathe beneath the roofs. A very old gentle inventor, played by the renowned actor Vincent Price famous for his performances in Classic horror movies, has created Edward but he sadly dies before he is able to give Edward his hands. Edward is left with only scissors for hands. In a very comical scene we see Peggy, played by Dianne West, working as an Avon representative visit the mansion on a hopeless task to sell her make up. She is however kinder than most of the residents in the town below and takes it upon herself to give Edward a home, bringing him to the town below to live with her and her family, although with good intentions she lacks the wisdom in her actions. The film is filled with humorous scenes yet within the humour there is always darker overtones. The neighbourhood soon accepts Edward in a perverse and freakish way, the people seeing him as a curiosity. He soon becomes popular for his gift of cutting hedges into pieces of beautiful art and arousing the dormant passions of spiteful housewives. From the beginning of the film we see scenes depicting how it feels if you are different and are amongst people who fit neatly into societies accepted roles. In a horrible dinner scene Peggy's hu *** and reminds Edward that in society money is all that matters if one cannot earn money than one is not acceptable, and he pushes Edward to go to the bank for a loan, obviously they will not give him one without the proper official papers that go with being a member of the social order. Edward himself has never asked to be created in the manner he was, he is an innocent young man, gentle and greatly gifted, he has a beauty and heart that is found rarely in life. He worships and adores Peggy's daughter Kaye, who from the beginning acts as most teenagers would if they came home and found a strange young man with scissors as hands sleeping in their bed. She makes fun of Edward and soon uses him unwillingly to break into her obnoxious boyfriends house. Soon after this event Kaye begins to see Edwards beauty and uniqueness in comparison to the people she is surrounded by every day. She reaches out to him with her love holding him close to her. The people residing in the neighbourhood attack Edward and chase after him through the streets in a similar vein to an early Frankenstein movie directed by James Whale. Kaye saves his life, telling everyone he has been killed she leaves him to be happy on his own the only true way he can live away from people, but with the knowledge that he is loved. Edward Swissorhands depicts in both humourous ways and dark ones, how life can be if you are different, with Edward on the far end of the scale. Edward is looking for love and understanding something that becomes difficult if you are unusual and something that you long for. It is also a story about someone who cannot physically touch anything or anyone without destroying the thing itself through no fault of his own. The film is truly wonderful modern fairytale, the gothic mansion is hauntingly beautiful and scenes with Kaye dancing in the snow from Edwards Ice Sculpture's is me *** erising. The story of snow is a rare jewel in filmmaking.
The story begins with an old lady telling her granddaughter the story of snow, and why it snows. Edward Scissorhands lives in a gothic mansion at the top of a hill, below him a suburban town looking very much like a nightmarish vision from the 1960's, where pink and yellow houses nest, neatly grouped together each looking as identical as the inhabitants that live and breathe beneath the roofs. A very old gentle inventor, played by the renowned actor Vincent Price famous for his performances in Classic horror movies, has created Edward but he sadly dies before he is able to give Edward his hands. Edward is left with only scissors for hands. In a very comical scene we see Peggy, played by Dianne West, working as an Avon representative visit the mansion on a hopeless task to sell her make up. She is however kinder than most of the residents in the town below and takes it upon herself to give Edward a home, bringing him to the town below to live with her and her family, although with good intentions she lacks the wisdom in her actions. The film is filled with humorous scenes yet within the humour there is always darker overtones. The neighbourhood soon accepts Edward in a perverse and freakish way, the people seeing him as a curiosity. He soon becomes popular for his gift of cutting hedges into pieces of beautiful art and arousing the dormant passions of spiteful housewives. From the beginning of the film we see scenes depicting how it feels if you are different and are amongst people who fit neatly into societies accepted roles. In a horrible dinner scene Peggy's hu *** and reminds Edward that in society money is all that matters if one cannot earn money than one is not acceptable, and he pushes Edward to go to the bank for a loan, obviously they will not g
是太惊讶了，因为科学家说要给他一样礼物，而那礼物正好是他没有的手，他很渴望得到，以致于去触摸那双模具手，此时的他高兴得忘记了他的收还是2把剪刀，你可以注意一下他那时的动作，是将剪刀放在模具的指间，就是这个动作</a>
蒂姆·伯顿导演的《剪刀手爱德华》是一部关于机器人的现代童话。它讲述一座古堡中住着一位发明家，制造出了各种东西，最后还造出了一个机器人，并给他起名叫爱德华。发明家对这件作品倾注了全部的心血，他甚至教授爱德华人类的礼仪和诗歌，何时微笑何时沉默。然而，没有等到机器人最后完成，发明家就去世了，留下已有人类心智却残留着一双剪刀手的爱德华独自在古堡生活。不知过了多少岁月，一位推销化妆品的中年女子佩格误闯城堡，发现了形象古怪的爱德华。好心的佩格没有被爱德华惨白的肤色和张牙舞爪的剪刀手吓倒，而是怜其孤独，把
《剪刀手爱德华》（英语：Edward Scissorhands，另译《幻海奇缘》）一部1990年由蒂姆·伯顿执导、约翰尼·德普主演的一部奇幻爱情电影。电影讲述了一个名为爱德华的半成品人造人，他的双手被剪刀所取代。他住在一个与世隔绝的古堡中，当被带到文明社会后，与一个女孩子恋爱的爱情故事。参演电影的演员还有有威诺纳·赖德、戴安娜·维斯特、安东尼·迈克尔·哈尔、凯茜·贝克、艾伦·阿金以及文森特·普赖斯。 波顿早在他小时居住在郊区伯班克的时候就设想出《剪刀手爱德华》这个故事。在《甲壳虫汁》（Beetlejuice） *** 前期，卡罗琳·汤普森（Caroline Thompson）即被波顿雇用撰写爱德华剪刀手的剧本，并由20世纪福克斯 *** 和发行，取代了以前的华纳兄弟公司。《剪刀手爱德华》在波顿导演的《蝙蝠侠》之后发行，并因此大获成功，确立了他在好莱坞的地位。在约翰尼·德普出演该角色之前，汤姆·克鲁斯、汤姆·汉克斯、罗伯特·唐尼、威廉·赫特也曾经是剪刀手这个角色的人选，另外剪刀手的发明家是专门给文森特·普赖斯所写的角色。 电影主要拍摄在佛罗里达的坦帕湾地区（Tampa Bay Area），并给当地带来了600万的经济收入。爱德华的“剪子手”是由斯坦·温斯顿设计并 *** 。电影同时也是作曲家丹尼·艾夫曼第四次和导演波顿合作创作电影原声音乐。电影《剪刀手爱德华》收到不错的评价，并在票房上十分成功。电影获得在奥斯卡、英国电影和电视艺术学院、土星奖等多项提名。伯顿和艾夫曼都认为这部电影对其个人来说是自己最喜爱的作品。 剧情 电影的开始时室外白雪分飞，一位老婆婆在火炉边给小女孩讲故事，讲的是一个名叫爱德华的人，他是个发明家的半制成品，并且发明家把他的手做成了剪刀。发明家把爱德华像自己的儿子般养大，正当发明家要完成爱德华，给他装上手时，却意外地死了。同时当地的雅芳推销员帕戈·博格斯在连续推销产品失败后，拜访了一座山上的古堡。在那里，她遇见了爱德华，并带到了自己的家中，认识了帕戈的老公，儿子和女儿——金，并与金相爱。 爱德华有个十分出色的技能就是能把树木修剪得多姿多彩，这令帕戈的邻居对爱德华感到十分的好奇和兴奋，并且十分喜欢这个小伙子。金的男朋友吉姆十分讨厌爱德华，并时常找他的麻烦。吉姆为了能筹到钱买个面包车，于是他让爱德华用他的剪刀手撬开他爸爸的房间拿钱。这时，突然警铃响了，所有人除了爱德华都逃跑了出去，只有爱德华留在屋内。尽管金劝吉姆回去救爱德华，她的请求却无济于事。之后，爱德华被捕了，当他放出来的时候他孤独内心发觉已经无法和别人交往下去了。这样邻居们开始怀疑起他的人格，并开始对他产生反感。 圣诞节来临了，为了装扮圣诞节，爱德华在庭院做了一个冰雕。他修剪着冰雕，产生的雪片形成了雪花。金看到此情此情，跳起舞来。这时候吉姆突然出现，爱德华不小心划到了金的手。吉姆开始谴责爱德华对金的做出的伤害，并以此攻击爱德华。此时更遭的是，凯文也过来了，爱德华让他远离，可是却无故意伤害到了凯文的脸。邻居们误解了这个情景，并认为是爱德华伤害了凯文。爱德华逃离了村镇，并且回到了自己的古堡。警察后来也找到了古堡，虚放了3枪，对外宣布爱德华已经死了。 但是后来金进了古堡，与爱德华再次相逢。但吉姆跟着金，见到了爱德华开始与他厮打。爱德华为了保护金，错手杀死了吉姆，当金不知所措，爱德华却决定与金道别。金向爱德华说出我爱你，之后两人深情拥吻，既是之一次也是最后一次。金离开古堡，向前来搜捕爱德华的镇民交代爱德华与吉姆厮打，两人已经同归于尽了。自此之后，金与爱德华再也没有相见。电影最后又回到了老婆婆给女孩讲故事的场景，女孩问爱德华还在吗？老婆婆说还在，因为这里以前从不下雪，自从爱德华出现之后我们这里也就开始会下雪，老婆婆说有时甚至会看见她在雪中翩然起舞的様子，此时电影场景切换到了爱德华在古堡修剪冰雕，产生了雪花，其中一件冰雕更是年轻的金在翩翩起舞的模様。
我觉着是本来关系很好的邻居不听爱德华解释就开始疏远防备他。为了金的一个请求，爱德华硬着头皮潜入金男友父亲的豪宅，不慎被警察逮捕后也没有吐露真相，唯恐连累心上人。虽然他不久由于“没有判断是非的能力”被释放，但周围的人都把他看成蓄意抢劫财物的危险分子，对他以及佩格全家敬而远之。在这一过程中，金逐渐看清了男友的丑恶嘴脸，与他决裂，并对爱德华产生了好感。
《剪刀手爱德华》是一部黑色童话故事影片，其哥特式的表达手法将传统的好莱坞“美女与野兽”的童话美感表现得淋漓尽致。虽然是一部简单的美女与野兽的童话格调，但是却在一片阴森的气氛中展开，典型的黑色童话和哥特式表达，却让每一个看完的观众内心中都有一丝纯情和温柔滑过。
如果晚上月亮升起的时候，月光照到我的门口，我希望月光女神能满足我一个愿望，我想要一双人类的手。我想用我的双手把我的爱人紧紧地拥在怀中，哪怕只有一次。如果我从来没有品尝过温暖的感觉，也许我不会这样寒冷；如果我从没有感受过爱情的甜美，我也许就不会这样地痛苦。如果我没有遇到善良的佩格，如果我从来不曾离开过我的房间，我就不会知道我原来是这样的孤独。
《剪刀手爱德华》的开场和结束都是以老妇人和孙女的对话为主，辅以窗外飘散的雪花，这种相互照应而又深意十足的手法，不仅为该片画上了一个圆，更是为观众做出了一个圆满的解答，虽然该片的结局带有丝丝伤悲，但是片中透露出的半机器人爱德华的美好心灵和人类社会中存在的人性丑陋，让观众陷入了沉思。这是一部值得反复寻味的影片，阴森的古堡背景和童话般的小镇对比，雪花的飘散，年老的金和依旧原貌的爱德华，将一种轮回的生命意义在无形中进行了传达，更是再一次突出了爱德华的“他者”形象，对这个世界而言，爱德华永远是一个“他者”。
